The Insanely Addictive Thriller Netflix Abruptly K!lled Is Back—and Now It’s Free to Stream, Sending Furious Fans Into a Frenzy and Sparking a Massive Comeback No One Saw Coming

A hugely addictive thriller has finally been made free to stream after its shock axe from Netflix that left fans seething.

The streaming giant removed the hit show, which has a respectable 88% Rotten Tomatoes score, last year.

However, How To Get Away With Murder has now been made available to stream once again – and even for free.

The smash-hit legal drama originally aired between 2014 and 2020, running for six seasons before its cancellation.

Viola Davis plays the lead role of defence attorney and professor Annalise Keating as the series follows her life.

As the drama unfolds, Annalise becomes caught up in a murder plot that involves five of her students.

A hugely addictive thriller has finally been made free to stream after its shock axe from Netflix that left fans seething

How To Get Away With Murder has now been made available to stream once again – and even for free

The smash-hit legal drama originally aired between 2014 and 2020, running for six seasons before its cancellation

In 2015, Davis became the first African American to win an Emmy for best lead actress in a drama series.

How To Get Away With Murder has now officially landed on Channel 4’s streaming site, which doesn’t require a subscription.

Bosses have made all six seasons of the binge-watch worthy thriller available.

Critics have praised the series, with Entertainment Weekly previously calling it ‘the most addictive new thriller on TV’.

Other stars in the series include Alfred Enoch, Matt McGorry, and Karla Souza, Jack Falahee, Aja Naomi King, Charlie Weber and Liza Weil.

Back in 2019 when it was confirmed the show would be ending, series creator and executive producer Pete Nowalk called ending the show a ‘brutal decision,’ but said the story demanded it.

‘For me, Annalise Keating’s journey has always had a clear ending,’ Nowalk said in a statement.

‘Knowing I have 15 episodes left to finish her story, and the chance to give all the characters their own killer endings is a rare gift.’

One thriller fan wrote in the Netflix Bangers Facebook group about the show: ‘I’m quite lost after Dexter: New Blood. Honest review please, if you have seen this one’ alongside a poster of How To Get Away With Murder.

Viola Davis plays the lead role of defence attorney and professor Annalise Keating as the series follows her life

How To Get Away With Murder has now officially landed on Channel 4’s streaming site, which doesn’t require a subscription

Others commented that they were going to be re-watching the show and labelled it ‘amazing’ while other’s added: ‘It’s a must-watch from me, sooo good’.

Another wrote: ‘Really good, you won’t be disappointed, loved this show’;

‘Yes, it is so good!’; ‘Very intriguing’, and ‘I couldn’t stop watching!’

Some fans even confessed they had watched it three times while another said: ‘This is so addictive, absolutely brilliant’.

Meanwhile, a ‘fascinating and suspenseful’ Netflix thriller has left fans gripped with a ‘psychopathic’ leading man and a ‘dark’ twist.

The Occupant first hit screens back in 2020 and is available to watch on the streaming platform.

Critics have praised the series, with Entertainment Weekly previously calling it ‘the most addictive new thriller on TV’

Back in 2019 when it was confirmed the show would be ending, series creator and executive producer Pete Nowalk called ending the show a ‘brutal decision,’ but said the story demanded it

It follows unemployed advertising executive Javier Muñoz (Javier Gutiérrez) who becomes obsessed with the new tenants of the home he had to give up.

However, things take a horrifying twist when ‘his motives toward the family turn sinister,’ according to the synopsis.

Despite only having a modest 65% rating on Rotten Tomatoes, The Occupant has still managed to collect plenty of praise from fans.

High On Films penned: ‘The main reason why The Occupant works is Javier Gutierrez’s dedicated performance as the psychopathic, dejected advertiser who would go to any heights to get what he wants.’